John Favreau and Neel Sethi Interview for The Jungle Book
Jaseena Ali Interviews the Director and star of The Jungle Book
DIRECTOR JON FAVREAU TAKES AUDIENCES ON A WILD RIDE BACK TO THE JUNGLE
Many strange tales are told of this Jungle.
But none so strange as the tale of the cub we called Mowgli …
“The Jungle Book” is an all-new, live-action epic adventure about Mowgli, a man-cub raised by a family of wolves. But Mowgli finds he is no longer welcome in the jungle when fearsome tiger Shere Khan, who bears the scars of Man, promises to eliminate what he sees as a threat. Urged to abandon the only home he’s ever known, Mowgli embarks on a captivating journey of self-discovery, guided by panther-turned-stern mentor Bagheera, and the free-spirited bear Baloo. Along the way, Mowgli encounters jungle creatures who don’t exactly have his best interests at heart, including Kaa, a python whose seductive voice and gaze hypnotizes the man-cub, and the smooth-talking King Louie, who tries to coerce Mowgli into giving up the secret to the elusive and deadly red flower: fire.
Based on Rudyard Kipling’s timeless stories, “The Jungle Book” is inspired by Disney’s classic animated film, with an approach all its own. “We embrace the mythic qualities of Kipling in the more intense tonal aspects of the film,” says director Jon Favreau, “but we left room for what we remember from the ’67 film, and sought to maintain those charming Disneyesque aspects.”
Filmmakers employed up-to-the-minute technology to tell the story in a contemporary and immersive way, blending live-action performances with stunning CG environments and extraordinary photo-real animal characters that artists stylized to elevate the storytelling. “‘The Jungle Book’ is a universal coming-of-age story that everyone can relate to,” says producer Brigham Taylor. “Walt told the story through traditional cell animation and now we have the technology to actually bring these characters to life, make them photo-real and put a real kid into the environment in a seamless, believable way. The opportunity to be able to show that with today’s technology was irresistible.”
According to Favreau, story is king. “I think films have to offer an emotional experience for the audience,” says the director. “The spectacle won’t mean anything if they’re not engaged emotionally with the characters. Every story needs humanity, emotion and character development, as well as humor—presented in a way that doesn’t betray the stakes of the film. There are white-knuckle moments in the movie when you wonder, ‘What’s going to happen to this kid?’”